Review: A Praiseworthy New Mexico “Tristan und Isolde” – Santa Fe Opera, August 5, 2022

Simon O’Neill’s Tristan and Tamara Wilson’s Isolde In the first 64 years of its 65-year history, the Santa Fe Opera had never presented any of the three-act operas of German composer Richard Wagner. (These three-act operas comprise eight of the ten Wagner operas in opera’s standard repertory, excepting only “The Flying Dutchman”, last performed 34 … Read more

Review: Quinn Kelsey Delights in Sir David McVicar’s New “Falstaff” Production – Santa Fe Opera, August 4, 2022

A highlight of the Santa Fe Opera’s 2022 season is Sir David McVicar’s extraordinary production of Verdi’s final masterpiece, “Falstaff”, starring Hawaiian baritone Quinn Kelsey in the title role. Quinn Kelsey’s Sir John Falstaff Falstaff is a role that encompasses a range of emotions, acting skills and comic timing. In a bravura performance, Quinn Kelsey showed mastery … Read more

World Premiere Run Review: Powerful Performances from Mark Stone and Kangmin Justin Kim in Ruo’s and Hwang’s Compelling “M. Butterfly”- Santa Fe Opera, August 3, 2022

I am reporting on the second of five scheduled performances in the world premiere run of composer Huang Ruo’s and librettist David Henry Hwang’s opera “M. Butterfly”, based on Hwang’s 1988 Tony-award winning play of the same name. Both play and opera were inspired by the notoriety surroundng the sexual relationship of a man working … Read more

Review: Strong Vocal Performances by Isabel Leonard, Michael Fabiano, Sylvia d’Eramo and Michael Sumuel for Director Miriame Clement’s Idiosyncratic Production -“Carmen”, Santa Fe Opera, August 2, 2022

The Santa Fe Opera’s first August performance of the new Mariame Clément production of Bizet’s “Carmen”, which opened the 2022 season a month prior, introduced a cast change as Don Jose. Joining a cast that included Isabel Leonard as Carmen, Sylvia d’Eramo as Micaela and Michael Sumuel as Escamillo, New Jersey tenor Michael Fabiano took … Read more

An Opera Director’s Historical Perspective: A Conversation with Grischa Asagaroff, Part 2

This is the second part of a series of conversations with German director Grischa Asagaroff [See An Opera Director’s Historical Perspective: A Conversation with Grischa Asagaroff, Part 1]. It continues with a discussion of his work at the San Francisco Opera between the company’s 1980 and 1983 seasons and his close association with the productions … Read more