Opera Warhorses is an independent publication devoted to reviews, appreciation and analysis of all things opera. Founded in 2005, it documents current productions while preserving firsthand perspectives on important performances and artists from earlier generations.
The archive includes production reviews, interviews and conversations, historical performances, commentary, guest criticism, essays and program notes. Its principal writer is William Burnett, with contributions from guest writers.
Meet the writers, contact Opera Warhorses, or follow new articles.