William Burnett

A highlight of the Santa Fe Opera’s 2022 season is Sir David McVicar’s extraordinary production of Verdi’s final masterpiece, “Falstaff”, starring Hawaiian baritone Quinn Kelsey in the title role. Quinn Kelsey’s Sir John Falstaff Falstaff is a role that encompasses a range of emotions, acting skills and comic timing. In a bravura performance, Quinn Kelsey showed mastery … Read more

I am reporting on the second of five scheduled performances in the world premiere run of composer Huang Ruo’s and librettist David Henry Hwang’s opera “M. Butterfly”, based on Hwang’s 1988 Tony-award winning play of the same name. Both play and opera were inspired by the notoriety surroundng the sexual relationship of a man working … Read more

The Santa Fe Opera’s first August performance of the new Mariame Clément production of Bizet’s “Carmen”, which opened the 2022 season a month prior, introduced a cast change as Don Jose. Joining a cast that included Isabel Leonard as Carmen, Sylvia d’Eramo as Micaela and Michael Sumuel as Escamillo, New Jersey tenor Michael Fabiano took … Read more

This is the second part of a series of conversations with German director Grischa Asagaroff [See An Opera Director’s Historical Perspective: A Conversation with Grischa Asagaroff, Part 1]. It continues with a discussion of his work at the San Francisco Opera between the company’s 1980 and 1983 seasons and his close association with the productions … Read more

In my world premiere review [World Premiere Review: “The Dream of the Red Chamber” Transforms into a Fascinating Opera – San Francisco Opera, September 10, 2016], I expressed my assessment of this opera and the extrordinary accomplishement of composer Bright Sheng and his co-librettist David Henry Hwang in extracting an opera out of the first … Read more