William Burnett

The Glimmerglass Festival presented a brilliantly sung production of Gershwin’s “Porgy and Bess”. The musical performance was presided over by the eminent Maestro John DeMain, a leading authority on the American musical and American opera. Director Francesca Zambello, Glimmerglass Festival’s Artistic and General Director, a tireless advocate for the work, who created its most significant … Read more

Wisconsin coloratura soprano Brenda Rae and composer Gaetano Donizetti were two of the winners in Santa Fe Opera’s production of Donizetti’s “Lucia di Lammermoor”. The opera was impressively led by Maestro Corrado Rovaris, who himself is from Donizetti’s home town of Bergamo, Italy. Brenda Rae’s Lucia di Lammermoor Lucia di Lammermoor is an operatic role … Read more

The Santa Fe Opera opened its 2017 season with a new production of Johann Strauss’ operetta “Die Fledermaus”. The iconic Viennese operetta returned to the Santa Fe Opera after a 25 year absence in a well-sung, at times frantic new production directed by Ned Canty. Kurt Streit’s Gabriel and Devon Guthrie’s Rosalinda In the leading role … Read more

As the third offering of  its 2017 summer season, the San Francisco Opera mounted English director John Caird’s imaginative production of Puccini’s “La Boheme”. First performed in San Francisco in 2014, the production was revived with an attractive young cast, whose realization of Caird’s detailed staging, proved once again that opera singers can be good actors. [Below: Act II (French … Read more

Ildebrando d’Arcangelo was Giovanni and  Erwin Schrott was Leporello in a revised production of Mozart’s “Don Giovanni” at the San Francisco Opera. They were joined by a world-class cast under the direction of French Maestro Marc Minkowski. Ildebrando d’Arcangelo’s “Don Giovanni” Italian bass-baritone Ildebrando d’Arcangelo, in his San Francisco Opera debut, was an energetic and stylish Giovanni. D’Arcangelo sang Giovanni’s … Read more

San Francisco Opera began its summer season with a beautifully sung performance of Verdi’s “Rigoletto”, starring Hawai’ian baritone Quinn Kelsey in the opera’s title role. Quinn Kelsey’s Rigoletto Kelsey’s Rigoletto perfomance demonstrated a mastery of both the vocal and dramatic requirements of one of the great (if not the greatest) baritone roles of the Italian repertory. Much of the role … Read more

The Korea National Opera revived its 2016 hit production of Vivaldi’s rarely performed early opera, “Orlando Finto Pazzo [Orlando Fakes Insanity]” at Seoul’s LG Arts Theater. The cast consisted of seven principal singers with mastery of Vivaldi’s coloratura fireworks, a brilliantly conceived staging by Italian wunderkind director Fabio Ceresa, attractive sets by South Korean designer Pilyoung Oh and masterful conducting by … Read more

Houston Grand Opera presented “Götterdämmerung” with an illustrious cast, led by Christine Goerke’s Brünnhilde and Simon O’Neill’s Siegmund, magnificently conducted by Houston Grand Opera’s artistic director, Maestro Patrick Summers.  It completed Houston Grand Opera [HGO]’s four-season presentation of the Fura dels Baus production of the “Ring of the Nibelungs”. Christine Goerke’s Brünnhilde New York dramatic soprano Christine Goerke has achieved international superstar … Read more

The Dallas Opera presented a theatrically valid production of Bellini’s “Norma”, passionately conducted by Maestro Emmanuel Villaume. Elza van den Heever’s Norma South African soprano Elza van den Heever returned to Dallas, where she had previously excelled in Mozart, as an international star of the highest rank. Van den Heever brought her star qualities to the role of the … Read more

Los Angeles Opera audiences witnessed an extraordinary performance of Offenbach’s “Tales of Hoffmann”, in which Italian tenor Vittorio Grigolo was the most lustrous of several on-stage stars, while an all-star Hoffmann of the preceding generation, Plácido Domingo, presided as conductor. [Below: the poet Hoffmann (Vittorio Grigolo, left) is revived by his muse (Kate Lindsey, right); edited image, … Read more

The Sarasota Opera, as part of its 2017 four production Winter Opera Festival, has created a new production of Montemezzi’s lyrical opera “L’Amore dei Tre Re (The Love of Three Kings)”. The  opera was a staple of the repertory of European and North American opera houses in the 50 years after its 1913 premiere. Yet, despite its … Read more

The Seattle Opera’s new production of Janacek’s “Katya Kabanova” premiered the evening of February 25 [Review: Seattle Opera Psychodrama – Melody Moore’s Magnificent Katya Kabanova, February 25, 2017]. Janacek’s lush melodic score was performed in a theatrically attractive production. The production’s second performance was presented the next afternoon with two major cast changes. (My previous review covers the performances of … Read more

Australian director Patrick Nolan has created a revelatory new production of Janacek’s “Katya Kabanova” – an opera about the toxic relationship between a widow and her daughter-in-law that ends in the latter’s suicide. [Below: Melody Moore as Katya in Patrick Nolan’s Seattle Opera production of Janacek’s “Katya Kabanova”; edited image, based on a Philip Newton photograph, … Read more

The San Diego Opera opened a four performance run of “Falstaff”, Verdi’s operatic adaptation of Shakespeare’s Merry Wives of Windsor. One of opera’s great masterpieces, “Falstaff” abounds in complex vocal ensembles, that require ten principal singers of great skill. Roberto de Candia’s Falstaff The production’s strong cast was led by the Falstaff of Italian baritone Roberto de Candia. Falstaff, deluding himself that … Read more

The Virginia Opera has taken on the project of introducing contemporary American audiences to one of the most influential masterpieces of opera, Carl Maria von Weber’s “Der Freischütz”. The opera’s infectious melodies enrich a succession of serene arias and engaging ensembles, yet it is a work that has rarely been performed in the Western Hemisphere. The … Read more