Homage to Dame Joan Sutherland: A Conversation with Director John Pascoe, Part 6

This continues the series of conversations that I have had with British opera director John Pascoe. This is the second of three parts of the conversation that will memorialize Dame Joan Sutherland. OM. DBE, AC. who (in John’s own words (“passed into legend”) on 10th October 2010. This part follows: Homage to Dame Joan Sutherland: A Conversation with Director John … Read more

Homage to Dame Joan Sutherland: A Conversation with Director John Pascoe, Part 5

This continues the series of conversations that I have had with British opera director John Pascoe. This is the second of three parts of the conversation that will memorialize Dame Joan Sutherland. OM. DBE, AC. who (in John’s own words) “passed into legend” on 10th October 2010. This part follows: Homage to Dame Joan Sutherland: A Conversation with Director John … Read more

Homage to Dame Joan Sutherland: A Conversation with Director John Pascoe, Part 4

This continues the series of conversations that I have had with British opera director John Pascoe. The following three parts of the conversation will memorialize Dame Joan Sutherland. OM. DBE, AC., who passed into legend on 10th October 2010: [Below: Dame Joan Sutherland in the final act of Donizetti’s “Anna Bolena” in the 1988 Royal Opera House … Read more

Review: A Stylishly Sung and Intelligently Staged “Masked Ball” at San Francisco Opera – October 4, 2014

Verdi’s “Un Ballo in Maschera”, loosely based on the historical assassination of Swedish King Gustavus III at a masked ball, is an iconic Verdian opera, which has a lustrous performance tradition at the San Francisco Opera.. [Below: King Gustavo (Ramón Vargas, front, second from left) has decided to ignore the advice of the Chief Magistrate (A. … Read more

Dean of American Opera Composers: An Interview with Carlisle Floyd

The following interview took place at the War Memorial Opera House, home of the San Francisco Opera, whose facilitation of this interview is deeply appreciated.    [Below: Composer Carlisle Floyd; edited image, based on a publicity photograph, courtesy of Carlisle Floyd.] Wm: Often, I ask artists whom I interview about their childhood interests in music. That … Read more

Ambassador for Opera: An Interview with Bass-Baritone Greer Grimsley

This interview took place on the “ranch” of the Santa Fe Opera, whose facilitation of the interview is deeply appreciated.   [Below: Bass-baritone Greer Grimsley; edited image of a publicity photograph, from www.greergrimsley.com.] Wm: What are your earliest memories of music? GG: I grew up in New Orleans, Louisiana, so there was no lack of … Read more

A Conversation with Director John Pascoe, Part 3

This post continues from A Conversation with Director-Designer John Pascoe, Part 2 regarding his international career in opera stage direction and production design. We have committed to posting an ongoing series of discussions on his career influences and on a variety of opera-related subjects.  [Below: John Pascoe in the year 1980; resized image of a personal photograph, courtesy of … Read more

A Second Look Review: Patricia Racette Medals in “Susannah” at the San Francisco Opera – September 21, 2014

Earlier this month, I praised Carlisle Floyd’s 1955 opera “Susannah” in its new San Francisco Opera production [see Review: Racette, Aceto, Jovanovich in Brilliant New Production of “Susannah” – San Francisco Opera, September 6, 2014]. Seeing the opera in this production once again, I was impressed with the glories of the musical score and the dramatically gripping … Read more

A Second Look Review: “Norma” at the San Francisco Opera – September 14, 2014

My review of the opening night of the San Francisco Opera 2014-15 season (and of its new production of Bellini’s “Norma”) was posted a week ago [See Review: Sondra Radvanovsky’s Stunning Season Opening “Norma” – San Francisco Opera, September 5, 2014.] In that review I had praised the artistry of the Norma, Sondra Radvanovsky, and the … Read more

Review: Nino Machaidze and the Domingos (Placido and Marta) Create a Memorable “La Traviata” – Los Angeles Opera, September 13, 2014

There was much to admire in the Los Angeles Opera’s 2014-15 season-opening production of Verdi’s “La Traviata’ – the expert conducting of the Los Angeles Opera Orchestra by its music director James Conlon; Arturo Chacon-Cruz’ silky-smooth lyric tenor used so effectively in an ardent portrayal of Alfredo Germont; a strong cast in the supporting roles; … Read more

Rising Stars – An Interview with Conductor Carolyn Kuan

This interview was conducted on the Ranch of the Santa Fe Opera. The facilitation of this interview by the Santa Fe Opera and the Washington National Opera is deeply appreciated.   [Below: Conductor Carolyn Kuan; edited image, based on a professional photograph, courtesy of Carolyn Kuan.]   Wm: Where were you raised as a child? CK: … Read more

Essay: New Hope Valley as a Character in Carlisle Floyd’s Opera “Susannah”

In celebration of the San Francisco Opera’s new production of Carlisle Floyd’s “Susannah”, I am reposting an essay on the opera that was originally written as part of a review for an Opera Pacific performance. (For my review of the San Francisco Opera performance, see:  Review: Racette, Aceto, Jovanovich in Brilliant New Production of “Susannah” – … Read more

Review: Racette, Aceto, Jovanovich in Brilliant New Production of “Susannah” – San Francisco Opera, September 6, 2014

In a few weeks, Carlisle Floyd’s great opera “Susannah” will be 60 years old. To place that fact in the context of other operas in the standard repertory, consider that when “Susannah” had its premiere, Puccini’s “Turandot” was 29 years old and George Gershwin and DuBose Heyward’s “Porgy and Bess” was only 20 years old. “Susannah’s” … Read more

Review: Sondra Radvanovsky’s Stunning Season Opening “Norma” – San Francisco Opera, September 5, 2014

For the first time in the 92-year old history of the San Francisco Opera, Bellini’s “Norma” was chosen to launch the company’s Fall season. The role of Norma, the Druid priestess whose secret affair with a Roman proconsul has produced two children, is considered a pinnacle of  early 19th century bel canto Italian opera. Illinois soprano Sondra Radvanovsky … Read more

A Discussion of Susannah’s Olin Blitch and Tosca’s Scarpia (and other subjects) with basso Raymond Aceto

The following continues a conversation that first took place as interviews set up by the Houston Grand Opera and San Diego Opera [Rising Stars: An Interview with Raymond Aceto, Part 1] and the Royal Opera House Covent Garden [Rising Stars: An Interview with Raymond Aceto – Part 2]  and has continued at the Dallas Opera and the Santa Fe Opera … Read more

The Pollione-Norma Backstory: the Dramatic Logic of Bellini’s ‘Norma’

In anticipation of San Francisco Opera’s September 5, 2014 opening night of the 2014-15 season, in which a new Kevin Newbury production of Bellini’s “Norma” will be unveiled, I am reposting my essay of the dramatic logic of “Norma” that I originally posted on November 29, 2005, in concurrence with a previous production of “Norma”. … Read more

In Quest of the “Da Ponte” Mozart Operas – October 2014-March 2015

This feature highlights selected performances of operas in Chicago, Houston, San Diego and Los Angeles that I am scheduled to review.   This list is supplementary to previous lists in this “Quests and Anticipations” series of selected operas being performed from September, 2014 through Summer, 2015. The operas noted in the previous lists are Verdi’s “La Traviata” … Read more

Rising Stars: An Interview with Joyce El-Khoury

The following interview was conducted in on the “ranch” of the Santa Fe Opera, whose facilitation of this interview is gratefully acknowledged.   [Below: Soprano Joyce El-Khoury; resized image of a publicity photograph, courtesy of Joyce El-Khoury.] Wm: What were your earliest memories of music? JEK: I was born in Lebanon of Lebanese parents. My grandfather George … Read more

Rising Stars: An Interview with Christine Goerke

The following interview took place in the administrative offices of the Glimmerglass Festival, whose facilitation is deeply appreciated.   [Below: Dramatic soprano Christine Goerke; resized image of a publicity photograph, from christinegoerke.com.] Wm: You were raised in Long Island, New York. What were your earliest musical experiences? CG: Well, there were no professional musicians in my … Read more

A Conversation with Director-Designer John Pascoe, Part 2

This post continues from A Conversation with Director-Designer John Pascoe, Part 1. John has generously permitted me to pursue a much more in-depth discussion of the factors that led and allowed him to pursue an international career in opera stage direction and production design. We have committed to posting an ongoing series of discussions on his career … Read more

In Quest of Popular Verdi Operas – October 2014 to Summer 2015

This feature highlights selected performances of operas in San Francisco, Chicago, Houston and Santa Fe that I am scheduled to review.   This list is supplementary to previous lists in this “Quests and Anticipations” series of selected operas being performed from September, 2014 through Summer, 2015. The operas noted in the previous lists are Verdi’s “La Traviata” … Read more

Rising Stars – An Interview with Yunah Lee

The following interview took place in the administrative offices of the Glimmerglass Festival, whose facilitation of this interview is gratefully acknowledged.   [Soprano Yunah Lee; resized image of a publicity photograph.] Wm: What were your earliest memories of music? YL: I grew up in South Korea. When I was a child, the only place that I … Read more

Rising Stars – An Interview with Rachele Gilmore

The following interview took place in the administrative offices of the Glimmerglass Festival, whose facilitation is deeply appreciated. [Below: Lyric coloratura Rachele Gilmore; edited image, based on a Dario Acosta photograph, courtesy of Rachele Gilmore.] Wm: What are your earliest memories of music? RG: I don’t remember a time when I wasn’t aware of music. My … Read more

A Second Look Review: The Lawless “Carmen” – Santa Fe Opera, August 2, 2014

Bizet’s “Carmen” was the opera chosen for the 2014 Santa Fe Opera season’s opening night. It’s a dressy night, one the ritual occasions for tuxedos and subtly colored bow ties. Parties abound both in town, and “on campus”, including the elaborate parking lot tailgate parties for which the Santa Fe Opera is famous [Review: Stephen Lawless’ Creative New “Carmen” … Read more

Review: A Hilarious “Impresario” Creates a “Rossignol” Land of Enchantment – Santa Fe Opera, August 1, 2014

The state of New Mexico styles itself as the “Land of Enchantment”.  The state’s major opera company, the Santa Fe Opera, created its own Land of Enchantment, a mythical China inspired by Hans Christian Andersen’s fairy tale, “The Nightingale”. The extraordinary evening is the product of the brilliant mind of Michael Gieleta, a Polish born … Read more