Adler Fellow Eugene Brancoveanu: An Appreciation

[The following tribute to Adler Fellow Eugene Brancoveanu complements my review of the 2006 performances of the San Francisco Opera production of Rossini’s “Barber of Seville”.] Piano, pianissimo senza parlar The first words of “Barbiere” are sung by Almaviva’s henchman, Fiorello.  Before I get into the main body of the performance critique (see: Deconstructing S.F. Opera‚Äôs … Read more