Review: Jamie Barton, a Phenomenon in “La Favorite” – Houston Grand Opera, January 24, 2020

The Houston Grand Opera presented “La Favorite” in its original French, as a vehicle for Georgia mezzo-soprano Jamie Barton. Donizetti’s 1840 masterpiece “La Favorite” was one of the mid-19th century vehicles for operatic superstars to display their vocal prowess. Jamie Barton’s Léonor The opera proved a triumph for Jamie Barton, singing the role of Léonor … Read more

Review: Seattle Opera’s Compelling “Eugene Onegin” Led by Michael Adams, Marina Costa-Jackson – January 12, 2020

For the Seattle Opera’s production of Tchaikovsky’s “Eugene Onegin” two pairs of artists sing the lead roles of Eugene Onegin and Tatyana, alternating performances. This review of the second performance supplements my remarks contained in Review: Seattle Opera’s Melodious “Eugene Onegin” led by John Moore and Marjukka Tepponen, January 11, 2020. Michael Adams’ Eugene Onegin … Read more

Review: Seattle Opera’s Melodious “Eugene Onegin” led by John Moore and Marjukka Tepponen, January 11, 2020

The Seattle Opera presented Tchaikovsky’s “Eugene Onegin” in an attractive production by Tomer Zvulun. For the eight scheduled performances, the two principal roles, Onegin and Tatyana, alternate between two pairs of artists, with the remaining roles to be performed by the same artists throughout the run. I attended both the first and second performances, for … Read more